Every week for three years, Dafna Amira walk around the Central Station in its fringe areas with her gaze turned to the architectural structure itself. Just as space is shaped according to the inner image of the individual imagination, Amira photograph the station. As a detective in interrogation or a forensic photographer, Amira look for remnants or the absence of human actions in the station space.

The station has spaces of an anarchist nature compared to familiar spaces, replicating every day and defining the normal through their own exclusion. These residues have different manifestations: accumulation, dust, dirt, neglect, inheritance, disassembly, assembly, improvisation, and randomness. Through photography and framing, these remnants become theatrical backdrops shrouded in mystery.